Joshua Tree, 1951: A Portrait Of James Dean

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Joshua Tree, 1951: A Portrait Of James Dean
Wednesday, September 19, 2012 8:00 PM
Miami Gay and Lesbian Film Festival, Miami, FL
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Tickets are no longer available online, but they will be on sale at the Miami Beach Botanical Garden beginning at 5pm.
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  • Ticket Price: $15.00 - $20.00


Cocktails & Hors D'Oeuvres- 6pm
Film- 8pm

Cocktails provided by 1492 Rum
Miami Beach Botanical Garden
2000 Convention Center Drive
Miami Beach, FL 33139

Filmaker Matthew Mishory will attend the screening and participate in a Q&A session after the screening.

Director: Matthew Mishory
94 minutes


Grab your Wayfarers and hop in a fifties vintage car for a road trip to Joshua Tree, 1951 in this sumptuously filmed, neo-noir portrait of James Dean just before he finds fame. Breathtaking views of the arid landscape and lush gardens at poolside cocktail parties create a dreamy atmosphere that lure the viewer in, as writer/director Matthew Mishory’s story blends biographical and re-imagined parts of James Dean’s life. James Preston, cast as Dean, bears a stunning and strikingly handsome resemblance to the outsider icon.

The film seeks to redefine Dean for a new generation, by examining his complicated sexuality and his formative relationships. Dean’s roommate and fellow struggling actor (Dan Glenn) is along for the ride from their Santa Monica apartment to the desert. The roommate is a quiet source of refuge as well as a passport to a world of cultural refinement. Accompanying them is femme fatale, Violet (Dalilah Rain), a would-be starlet who struggles to survive within the postwar Hollywood machine.

Complex love triangles develop and twist, sometimes with tearful innocence, sometimes with tense consequences. The film cuts back and forth in time, from the pool to the desert, from intimacy to isolation. The binaries set up in the storytelling parallel those in Dean’s life—he is childlike and jaded; sensitive, yet brutal; and a Rimbaud-reading-intellectual as well as an Indiana-born tough guy. It reveals a remarkably beautiful portrayal of this man who was incredibly focused on refashioning himself as the great American actor.


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